ARTIST'S
STATEMENT
At the end of
the nineteenth century, several revolutionary-minded young Chinese artists
attempted to create a "New National Painting" style reflecting the
impending cultural and political changes. From other cultures, they
brought innovative ideas, new subjects, and techniques such as fixed
perspective, shading light effects and strong unconventional colors. They
then added their own creative energy, bringing a new richness and depth to
the traditional art forms—creating the Lingnan school of Chinese brush
painting. In the past twenty-five years, my own search for inspiration has
led me to extend my work beyond the traditions of the Lingnan school,
creating a style of Chinese brush painting which is distinctly my own.
I’ve tried to
move beyond tradition to create new images, composition and mood—to
introduce a sense of freedom and life and harmony, free from the rules and
constraints of the past. I stress mood and feeling in my paintings,
achieved through the harmony of colours in the background. I paint my
feelings and allow the appreciative eye to interpret my works according to
what it sees. Others may not see my work as I intend, but that’s fine.
Reading a painting is personal.
I paint
mostly from memory. I use my mind like a camera. I seek inspiration
everywhere...on my travels, in the works of other artists, and especially
in nature. I dream about the subject and the scenery in my mind. Then the
driving force of inspiration pushes me to put that dream onto paper. Many
of my paintings contain birds. To me they symbolize the essence of
life—beauty, harmony, and freedom. And of course, romance. When I look at
a bird in flight—free to go wherever it wants—dreaming is easy. Recently I
find myself moving toward the contemporary...Chinese painting should not
be just plum blossoms, bamboo, and mountains. Contemporary painting gives
me the chance to explore new directions and to expose myself to a new
world where what matters is image and emotions, not just subject. But even
then, I blend East and West: the delicacy of Chinese brush painting with
the excitement of Western art.
I often
experiment with new methods and media—acrylics, oils, even newspapers and
sponges. I like to try new things – new subjects, new techniques. But I
always paint the way I want. I believe in following my inspiration,
wherever it leads—a personal, never-ending task. I’m always somewhere but
I never arrive.
Biography of James Tan
The youthful, innovative spirit of the founders of the
Lingnan School has inspired James Tan to extend his own work well
beyond tradition. He blends mastery of Chinese brush painting with an
ability to capture the essence of Western culture, thereby creating a
style of Chinese brush painting which is distinctly his own.
James Tan graduated from the Singapore Academy of Art
in 1972 and continued his studies with Chinese brush painting masters in
Singapore, Taiwan and San Francisco until 1980 establishing himself as a
master of the traditional and Lingnan schools of Chinese brush painting
with his own distinctive style. He has taught and lectured extensively
world-wide, including The National Museum Art Gallery (Singapore), The
Victoria and Albert Museum in London. and annual lecture & demonstration
at the arts in Action? festival in London, U.K. Mr. Tan has won an
extensive list of awards and honors and has exhibited extensively. 38
one-man shows in Singapore, Japan, Thailand, Dubai, Bahrain, Australia,
England, Germany, the U.S.A., and Canada.
James' recent works retain the same exquisite quality
that has made his name synonymous with creativity and true excellence
around the world. His works are represented in international private and
corporate collections world-wide. Several books have been published
featuring his and his students works.
He is the President of the Chinese Canadian Artists
Federation in Vancouver (2007-2009) and (2009-2011). Director of Chinese
Cultural Centre of Greater Vancouver, Museum curator of Chinese Cultural
Centre Museum and Member of The City of Vancouver Chinatown Historic Area
Planning Committee 2010-2011, 2009 he have been nominate and Selected in
the Finalists of 2009 AsiaNetwork Asian of the Year Awards.2009
AsiaNetwork Asian of the Year Awards.

HONORS AND AWARDS
James was awarded First Prize in the Singapore National Art Competition
(1974); the "Morning Mist" Special Award, Ministry of Culture, Singapore
(1981); the Consolation Prize in the United Overseas Bank (UOB) Art
Competition, Singapore (1984). He was invited to the Second Young Artists
Exhibition sponsored by the Ministry of Culture and the National Museum,
Singapore (1984); represented Singapore in Japan's Ministry of Foreign
Affairs "Singapore
Artists Art Exhibition" in Yokohama, Kobe and Sapporo, Japan (1988)
; selected to exhibit at the Singapore Festival of Art (1988); and
sponsored by Shell Corporation to give a seminar and demonstration at
their special Culture Program, Singapore (1989).
Canada Post
marks the Lunar New Year with a new collectable stamp. For the Year of the
Dragon, the agency issued a pair of stamps designed by OCAD U alumnus and
Faculty of Design Instructor Louis Fishauf and calligrapher James Tan.
LECTURES
AND DEMONSTRATIONS
James gives lectures and demonstrations on the history and art of Chinese
brush painting to small and large groups in such settings as the National
Museum Art Gallery (Singapore), and The Victoria and Albert Museum in
London. He also gives demonstrations annually at the "Art in Action"
festival organized by the Art Department of The School of Economic
Science, London.
TEACHING
1974 / 2001 Have been teaching both ancient and Ling-Nan School of Chinese
brush paintings techniques for 27 years in San Francisco, Singapore, Kuala
Lumpur and London. 2004-2006 lectures in Vancouver Academy of Art,
Vancouver Canada.
My courses
have been comprehensive, including history and specific painting
techniques. Students come from many countries, including the United
States, Singapore, England, Germany, Australia, Taiwan and China
My Bichon Frise Mei Mei and JJ and Gaby
ONE MAN EXHIBITIONS
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2003 Asian Centre,
University of British Columbia, Vancouver, BC Canada
More ...... >>
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2003 Vancouver Public
Library, BC Canada
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1995 Chinese Museum,
Melbourne, Australia.
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1994 Warwick Gallery,
Beaconsfield, England.
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1993 Warwick Gallery,
Beaconsfield, England.
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1993 Old Luxter's
Gallery, Henley-on-Thames, England.
More ...... >>
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1992 National Museum
Art Gallery, Singapore.
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1990 The Empress Place
Museum. Singapore.
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1988 Della Butcher
Gallery, Singapore.
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1988 National Museum
Art Gallery, Singapore.
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1988 Represented
Singapore in Japan's Ministry of Foreign Affairs "Singapore Artists Art
Exhibition" in Yokohama, Kobe and Sapporo, Japan (1988)
More ...... >>
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1985 Gallery of Fine
Art, Singapore
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1985 Second Young
Artist's Exhibition 〞Singapore
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1982 Military Art
Center, Taipei, Taiwan. More
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1982 Victoria Memorial
Hall, Singapore.
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1981 National Museum
Art Gallery, Singapore. More
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1981 Gallery of Fine
Art, Singapore.
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1981 Art House Gallery,
Kuala Lumpur, Malaysia.
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1981 Penang Museum,
Penang, Malaysia.
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1981 Victoria Memorial
Hall, Singapore.
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1980 The President
Hotel, Bangkok, Thailand.
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1980 Exhibition Hall,
Ipoh, Malaysia.
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1980 Art House Gallery,
Kuala Lumpur, Malaysia.
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1980 National Museum
Art Gallery, Singapore.
More ...... >>
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1980 Gallery of Fine
Art, Singapore.
More ...... >>
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1979 Asia Foundation,
San Francisco, California, USA.
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1979 Chinese Culture
Centre, San Francisco, California, USA More
...... >>
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1979 Renaissance
Gallery, Ukiah, California, USA.
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1979 Michelle B.
Babcock, Memphis, Tennessee, USA.
More ...... >>
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1979 Jolo Pottery &
Gallery, Sanoma, California,
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1977 East Art Gallery,
San Francisco, California, USA.
More ...... >>
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1977 Chinese Chamber of
Commerce Exhibition Hall, Singapore.
More ...... >>
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1977 ETC Gallery,
Memphis, Tennessee, USA.
More ...... >>
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1976 Renaissance
Gallery, Ukiah, California, USA.
More ...... >>
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1975 East Wind Art
gallery, San Francisco, California, USA.
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1974 Penang, Malaysia.
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1974 Ipoh, Malaysia.
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1974 The Malaysia Art
Institute, Kuala Lumpur, Malaysia.
More ...... >>
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1974 First Solo in
Singapore organized by The Society of Chinese Artist.
More ...... >>
GROUP EXHIBITIONS
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1970-2000 Singapore, San
Francisco, Sacramento California USA, Dubai, Bahrain, Yokohama, Kobe and
Sapporo Japan, Sydney Australia, Germany, Vancouver, Victoria & Calgary.
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2000 Stephen Lowe art
gallery - Victoria and Calgary
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2001 Stephen Lowe art
gallery - Victoria and Calgary
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2002 Stephen Lowe art
gallery - Victoria and Calgary
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2005 Yiyou Yaji Painting,
Calligraphy and Seal Carving Exhibition (Works by Lau Wai-yin, Nathan
Szeto, James Tan, Ma Chi-ping, Hung Yu-ying, Ko Ku-chung and Fung Kin)
On-Tak Cheung Exhibition Hall.
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2006 - 2009
Chinese Canadian Artists Federation in Vancouver
Annual Exhibition.
COLLECTION
His works are found in
public and private collections around the world. Owners include: the
Emir of Bahrain; the Arab Emirates; the Foreign Office (Dubai); the Gulf
International, UIC, UOB and DBS Banks (Singapore); BP Petroleum; the
Crown Prince, Marina Mandarin, Oriental and Glass Hotels (Singapore);
the Singapore Trade Commission (Taiwan); the Ministries of Health,
Foreign Affairs and Defenses (Singapore); Vogel Park (Hamburg, Germany);
Japan Fleet Services (Singapore); Hotel Istana (Kuala Lumpur), the
Penang Museum (Malaysia).
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